"I didn't think I was a bad painter, but I didn't feel like I could add anything different. I started sewing just to make a different-looking mark and find a voice that was mine. It really opened up something for me and was a catalyst for me," she says. "For me, the way I embroider is really like painting. And it's interesting because I feel like part of my attraction to fabric is an attraction to color and texture and a way to enter the language of painting."
Megan Whitmarsh
